Ruins Within Ruins

A short dance narrative about the isolation of the Covid-19 pandemic.

During the Nazi invasion of Greece, a female resistance fighter embarks on a revenge operation to assassinate her own mother, in the name of God. Inspired by Euripides’s Electra.

A performance film following the young ballerinas of Na Ponta dos Pés, an art school founded by Tuany Nascimento in Rio de Janeiro.

Keratin is a collaboration with the London Sinfionetta, visually responding to Gavin Higgins' Seven Welsh Folk Songs: I. Dacw 'Nghariad i. The film tells the journey of a mating of elements, two bodies grieve over a lost third: a child separated from their womb. The three bodies bound by their keratin, regain connection in a wombic journey which spiritually networks the three into a fused collective body.

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

The 300 Spartans is an account of the 480 B.C. Battle of Thermopylae, in which the Greek Spartan King Leonidas, played by Richard Egan, led a remarkably small number of Greek Sparta to victory over an invading Persian army led by evil King Xerxes that was thought to number over 25,000. This spectacular conflict gave the Grecians enough time to organize a force to ultimately repel the Persians, and thus change the course of Western civilization.

Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.

Following the Trojan War, a soldier facing death encounters Thanatos and is drawn into a mythological confrontation about life, fate, and the meaninglessness of war.

A fashion influencer collapses on set and falls into a dream disturbingly real. As she struggles to escape, she finds herself drawn closer to a truth she’s never dared to face.

A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

MONEY is a dance film that explores the monotonous cycle of corporate 9-to-5 life. The dancers represent employees in a workplace that twists into a corporate nightmare, exposing the rigid and dehumanizing nature of the corporate world. Through movement, the film highlights the tension between control and rebellion, questioning the structures that define success and productivity that the workplace outlines for many everyday. with a sharp and unconventional movement vocabulary, MONEY challenges capitalist ideals and the way they shape daily life. The film breaks traditional boundaries, using dance to portray a system that demands conformity while suppressing individuality. Its rebellious undertones push against societal norms, making more room for fun and play.

Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.