I'll Give You a Color

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

Set against a vibrant tapestry of music and movement, Tem Fé poetically explores female energy, resilience, and ancestral roots. Through striking visuals and soundscapes, the film celebrates the strength of women and their spiritual bond across generations.

"It's a performance during which I google the phrase "1 year old black boy" ascending in age to the age of 18. I allow Google's "popular searches" algorithm to predict what comes after the phrase and peruse the results based on what Google thinks I want to search for in a Black boy. The algorithm generates results based on the most popular searches so it can be theorized that the Black boys that the algorithm predicts are the Black boys we are searching for." - Terence Nance

An experimental four-part short film that shows the outcomes of life through a vacation trip.

A series of suburban skies and the feeling of there being something else, intangibly out of reach.

Inspired by Ballet Mécanique, Ballet Biologic is an experimental triptych exploring the body through movement, physical painting and spoken testimony. Made alongside three physical paintings and exhibited at LJMU’s Umwelt exhibition at Bridewell Studios in Liverpool, the project turns vulnerability into rhythm, image and reclamation.

Artist Som Supaparinya presents the video work Two Sides of the Moon. This film recounts the lives of fishermen and fisherwomen at the beginning and end of the Moon River where it joins the Mekong, on the border between Thailand and Laos. Each place - and its people - is confronted with the modification of the river landscape by the man-made dam, but their stories and the impact on their lives are contrasting. One community has started to learn how to fish, while the other is counting the names of lost fish and tools. The concept of light and darkness derives from the brightness of the moon and its shadows, and the contrast between the two sides of the river reveals the inequality of fates.

Traumas are sometimes impossible to reconstruct completely; our body, as a defense mechanism, erases them, leaving traces in the unconscious. Jeana guides us on a journey through childhood, in her words 'the biggest wound we all carry inside'. From a performance of her own life, she tells us about the characters that once inhabited it, among choppy and superimposed images, which repeat, move forward or backward, illustrating the complexity of memory when faced with the unnamable. Indelible trace on the way to a future in which fashion and humanity are reinvented.

An experimentation with perceived movement and composition, drawn from six years of photographic fragments—an imprint of shifting visions, where seeing becomes both a subject and a mirror. Gorg O Mish is a Persian expression for twilight—literally translated as “wolf and ewe.”

An audiovisual snow storm in front of a black ground, a white horizontal line that divides the image, grid planes, unfolding and folding dimensions. Set to atonal, techno, and orchestral sounds; an abstract (non-)world beyond comprehension, a visual experience that one must intuitively sense. Lost in space and time – the big bang of consciousness