Sign of the Times: The Story of New Zealand's Visual Language

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.

With honesty, humour and heart, Deafinition presents the first-hand narrative of Paul and his experiences being deaf. From the physical day-to-day, social interactions, the intricacies of communication and language, the frustrations and challenges we see it all unfold through the inner world of Paul.

Operation 8 examines the so-called 'anti-terror' raids that took place around New Zealand on October 15, 2007 - asking how and why they took place and at what cost to those targeted.

Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

BEYOND CONVERSION is a deep-dive into conversion therapy in Aotearoa through the eyes of Kiwi conversion therapy survivors.

This chronicle of the Christchurch Commonwealth Games marked one of the National Film Unit's most ambitious productions. Though a range of events (including famous runs by John Walker and Dick Tayler), are covered, the film often bypasses the pomp and glory approach; instead it dares to talk to the injured and mention that most competitors lose. The closing ceremonies of the "friendly games" feature the athletes gathering to — as the official song's chorus put it — "join together". Four directors joined together to work on it: Arthur Everard, John King, Paul Maunder and Sam Pillsbury.

This film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent ‘s life, the film will examine the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its Sign Language and Culture.

Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.

This short documentary explores the significance One Tree Hill/Maungakiekie holds to Aucklanders – and the nation of New Zealand as a whole.