A Brave Engineer: Buster Keaton's Last Ride

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

An early silent film, made before intertites became common (which is why very early silent films are narrated, at best). This was filmed in 1907 but released in 1908. It was made at the request of Teddy Roosevelt, who saw coyotes being caught in Oklahoma *by hand*, and folks back east didn't believe him. While this movie is called "The Wolf Hunt", it was actually coyotes being caught, not wolves.

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1927 comedy feature College was filmed in Hollywood, Los Angeles, and Orange County. A compilation of short films produced between 1917-1922. Coney Island (1917), Back Stage (1919), Convict 13 (1920) and Daydreams (1922).