
self

IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.

Explores the personal toll on James Safechuck and Wade Robson after they went public with accusations against pop icon Michael Jackson. The two men continue to seek justice as they face backlash from his global army of fans. With exclusive access to court hearings, the film shows the extent to which the Jackson estate has fought to prevent Robson and Safechuck from having their day in court.

Estamira is a 63-year-old woman who suffers from schizophrenia. She leads a tough life and has supported herself for the past 20 years by picking through garbage at the Jardim Gramacho Disposal Area in Rio de Janeiro. The film follows her starting in 2000, the year she begins treatment in a psychiatric clinic. At first, it is hard to understand her in her stream-of-consciousness sentences, delusions and obsessions. Gradually, however, we get to know her as a woman who can have quiet and lucid moments despite her illness.

When they hit the Billboard charts, Gama Bomb were trapped by lockdowns, missing a drummer, and unable to tour. Survival Of The Fastest is a new Irish take on classic music documentaries like Anvil or Spinal Tap with a sweet and charming portrait of male friendship during troubled times. Capturing Gama Bomb's quest to play for 10,000 people at Hellfest – the 'Glastonbury of Metal' – Kiran Acharya’s warm and wayward film surprised cinema audiences with a smart, sincere, and absurdly funny year in the life of dear friends trying to keep the show on the road. Packed full of Gama Bomb's trademark humour and pop culture references, the film reflects on their 20-year history in the absurd worlds of punk and metal and their earliest days during the first sparks of the Peace Process in Northern Ireland.