Haiku por Ozziel

A transgender girl runs away from home and is invited to live with a strange photographer who pushes her to help him pay his debts.

Antony, a nurse shaped by his father's early absence and the death of his best friend, moves through his days in a quiet state of disconnection. One night, he encounters a mysterious old man who claims to be a “translator of problems.” Among the buildings of Tlatelolco, hospital wards, and the hidden streets of Mexico City, the two embark on a journey where, little by little, they help each other heal and reframe their understanding of family, death, and salsa.

One night, in a small bakery in a village in northern Spain, we accompany a baker who, through the contrast between the noise of heavy machinery and abrupt silences, works in solitude. His son, the author of the work, depicts the process: he projects his artistic and class concerns within the world of cinema by comparing the production of bread and the mechanisms of cinematographic creation.

A film student, who denies being in love with his teacher, wonders what cinema is, what love is, and why we do what we do.

A personal exploration by the director, who uses cinema for a social, architectural, and artistic tour of San Luis Potosí, scattered with passages from the filmmaker´s own past.

Three Mexican filmmakers — Max del Río, Gabriela Ivette Sandoval, and Hugo Villaseñor Alcázar — share their processes and challenges around a single question: How can an independent film get seen? Through the eyes of insiders, the documentary reveals the complex journey behind making cinema visible in Mexico.

The director of this film travels to meet her grandmother, a woman who lived alone in a vast house in the middle of La Pampa. The film captures the emotions of this journey into the past and delves into images of a bygone era, while also recapturing the simple joy of reuniting with loved ones and places that were once precious.