De Piraeus a Gaza

Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

The Tank and The Olive Tree recalls a certain number of forgotten fundamentals and sheds new light on the history of Palestine. By combining geopolitical analysis, interviews with international personalities who are experts on the subject and testimonies from Palestinian and French citizens, this documentary offers the keys to understanding what the media call the Israeli-Palestinian conflict. Enough to rid people's minds of clichés and prejudices! If The Chariot and the Olivier is intended to be educational, it speaks above all of a magnificent territory, and of a people who constantly affirm that “to live is already to resist”...

United by a shared oath to save lives, three American doctors—Palestinian, Jewish, and Zoroastrian—work in a besieged hospital in Gaza and return to the United States to fight for the patients and colleagues they left behind.

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.

A Palestinian activist's fight for freedom draws a Japanese American filmmaker into confrontation with detention regimes of past and present.

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.

Haunted by the killing by Israeli police of a Palestinian friend from his youth, an Israeli queer filmmaker embarks on a cinematic dialogue across time — confronting memory, friendship, and the genocide unfolding today. In this intimate cinematic letter, Israeli filmmaker Roy Cohen addresses his Palestinian friend and fellow peace activist Aseel Aslih, who was murdered by Israeli police in their youth. Cohen tells Aslih of his experiences navigating a growingly genocidal society and seeks Aslih’s moral clarity and resilience in the evocative letters he had written as a teenager.

Declassified presents the first documentary about Britain's complicity in the Gaza genocide, exposing Keir Starmer's shady spy flight missions for Israel. What does a British base in Cyprus have to do with Israel's genocide in Gaza? Declassified travelled to this Mediterranean island to investigate the hundreds of spy flights Keir Starmer has sent over Gaza, that coincided with Israeli airstrikes and the killing of British aid workers We go where the British media and military experts have refused to look and ask whether this scandal could put Keir Starmer in The Hague.

A moving psychological portrait of Cambodia decades after a devastating genocide, examining how baksbat (Khmer for "broken courage") continues to impact modern Cambodia.

After two intifadas and the construction of the Israeli wall, the only Palestinian zoo is still there and is now seeking for international recognition and to replace their lost giraffes.

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.