Há Sinais

It’s November 1989 and the world is changing. So is Jarle, who attends Kongsgård High School in Stavanger. He plays the guitar/lead singer in a local punk band, has a great girlfriend, and has the coolest best friend. But it's all about to change when Yngve enters the classroom.

Sam and Tusker, partners of 20 years, are traveling across England in their old RV visiting friends, family and places from their past. Since Tusker was diagnosed with early-onset dementia two years ago, their time together is the most important thing they have. As the trip progresses, however, their ideas for the future clash, secrets come out, and their love for each other is tested as never before. Ultimately, they must confront the question of what it means to love one another in the face of Tusker’s illness.

The fading love of two men, remembered. A relationship once vivid, now dissipating into a fog of partial remembrance; the memories of heartbreak and loss that bend and change as the years go by.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

A night in the woods, and its aftermath, helps Otter with a major life decision. He's a high school senior, hanging out with Darby - the local alpha male - and Darby's girlfriend Amber. Their public displays of affection irritate Otter.

Carter Page III, a middle-aged gay man in Washington, D. C., is a "walker", a single man who escorts other men's wives to social events so the husbands do not have to. One of the women he escorts, Lynn Lockner, is the wife of a United States senator and is carrying on an affair with a lobbyist. When she finds the lobbyist murdered, she embroils Carter in an investigation that leads to the highest levels of the federal government.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Set in an exclusive boy's school, about a man who plans to kill off his wealthy teacher wife by encouraging her to drink and pushing her into suicide. To assist him he recruits a young student who will claim that he was sexually assaulted by her. (from: http://ftvdb.bfi.org.uk/sift/title/390627)

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

Follows the adventures and love lives of high school students. Fuse is a gentle and sensitive boy who is heartbroken because of his girlfriend who cheated on him, so he tries to get over her by getting drunk with his friends at a party. There he meets his friend Tee and ends up sleeping with him that night. How is he going to cope with his new feelings for another boy, and just how many boys who struggle with the same feelings are there at his school?