Delyo and eternity

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

The documentary The Silent Revolution explains the revolution involving nearly 3 million kurds living in Syria. With the outbreak of the civil war —in the frame of the called ‘Arab Spring'— the Kurds of Syria have taken advantage of the context to fight for their political and cultural recognition and thus end the repression that started more than 50 years ago.

Lesson in History was produced when Peters was a student at the West Surrey School of Art and Design. Having read The People Could Fly by Virginia Hamilton, she was inspired to make what she describes as 'the stories of black achievement and how stories had not been told.' The animated film was subsequently screened on the BBC as part of the series 10X10. It was shot on 16mm using cutouts, photography and masks.

In the shadow of the First World War, the genocide of the Christian Assyrians took place almost unnoticed by the world public. This first systematic genocide of the 20th century was committed by the Young Turks (Ottoman Empire) and would not have been possible without the support of some Kurdish local rulers and their family clans. The Assyrians are the indigenous people of Mesopotamia and have lived in Mesopotamia for thousands of years. The film includes testimony from several European, Turkish and Assyrian historians, as well as genocide researchers, including Professor Taner Akcam, Dr. Gabriele Yonan and Professor David Gaunt. The film includes testimony from survivors of the genocide. Various journalists and publicists also have their say with well-researched information in this documentary. The Assyrians refer to the Genocide as "Seyfo" (ܣܝܦܐ), which translates as "sword".

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

In this short film directed in the style of Andrei Tarkovsky, eternity and the downfall of the Soviet empire are explored in a deeply symbolic and poetic way. The film follows a protagonist as they traverse a desolate landscape, reflecting on the transient nature of life and the inevitability of death. Through a series of dreamlike sequences, the audience is presented with a powerful meditation on the idea of eternity, and how it can be seen in the rise and fall of empires. The film culminates in a powerful scene of the protagonist standing atop a hill, looking out at the ruins of the Soviet empire, and contemplating the eternal cycle of life and death.

Packed with drama, high emotions and cliff-hanger moments, Australia Says Yes is the intimate and personal history of struggle and perseverance that propelled Australia to say Yes to marriage equality. The film shows how a group of determined individuals fought tirelessly against unjust laws that treated LGBTIQ people as second-class citizens, creating a movement that saw them go from criminals to legally equal over the course of five decades.

A documentary that traces the life and times of Bhagat Singh, a committed Marxist who most ably exemplified the spirit of revolutionary resistance against British imperialism in undivided India.

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

Home to the Mitterrand family since 1965, Latche was the former president's base for three decades. Family, friends, and world leaders gathered there for walks, hours of conversation, and some of the defining moments of the century. There, he was a different François Mitterrand, absorbed by the "spirit of the place," far from the trappings of the Republic. An intimate space, Latche was also a political territory open to the world, a powerful diplomatic asset serving the ambitions of its owner.