It could always be worse

A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.

A recently broken up couple spends their last evening together: for one of the girls this is the last chance to revive their relationship, for the other – to show the true meaning of it and why it should have ended.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

A troubled nanny teaches a bullied ten-year-old that freedom to move forward is made possible by shedding the ugly skin of our past.

Mexican comedian Alan Saldaña is back, poking gentle fun at himself and parceling advice, especially about how to stay married and how to be parents.

Fresh off a breakup, Grayson hosts a celebratory barbecue on a beautiful, sunny day. But a final word of warning from his recently made ex-girlfriend has left him more paranoid than pleased.

Recent graduate Repa Utriainen explores the world.

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

Small-town New Zealand comedy-drama about Michael (Jordan Selwyn) - a 16-year-old whose passion for maps helps him escape his ordinary life and enjoy a state of isolation from those around him. But there are three women he can’t shut out – his single mother Amelia, a blind 20-year-old called Mary and Alison , a friend whose ‘grace betrays darker secrets’ apparently.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

SpongeBob and all of Bikini Bottom face catastrophe—until a most unexpected hero rises to take center stage.