1907, cinematography by Frank Ormiston-Smith.
No cast information available.

Here the yachts are both sailing under a twenty-knot breeze, and the effect is most beautiful as they turn the stake, the Shamrock leading by one-eight of a mile. The sailors working at the ropes make a most beautiful effect as the yachts pull about for home and begin the great struggle which ended in the awarding of the cup to Columbia.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

At only 19 years old, an Argentinian filmmaker emigrates to Miami looking for better opportunities. She soon finds herself falling for her very first boyfriend, someone she thought was good for her. That would quickly change, making her feel trapped in an abusive relationship that she would hide from everyone around her for years. In a detailed search for healing, she explores the events that led to the morning when he sexually assaulted her to understand that she is not to blame.

A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.