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Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

It's very human and nice story about lofty princess (her father is amiable but incapable - unforgettable performance of S. Neumann) and good, nice, kind and well-principled young king (prince) who tries to make tender her calm heart to get married with her. After being refused (she's very capricious), he conclude to make her better. He start to work as a gardener at her castle (in secret) and successively bring she to her senses...The story continues when already reformed princess and the young king (she learn about his real identity later) have to take refuge from troops, that princess father (old king) has sent (of course he took a bad and mean counsellors advice). They have to take shelter by several ordinary and poor families, which are always very friendly and give them a help... Of course the tale has happy end.