Surrender

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees' personal journeys.

11-year-old Ena meets a young fisherman in a port. He gives her an eel and they arrange to meet the following Sunday on the other side of the lake. She has to be there.

Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.

A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

Hopeful job candidate Buck Boom is dynamic, forceful, confident and creative. But can he convince Mr. Mudgin, the personnel manager, to hire him? You see, Boom is an animated character in a live-action world and Mudgin is not used to dealing with someone who is different.

He is conductor on the railcar to Vänersborg. She is a conductor on the Herrljunga train. For two minutes once a week, their trains stop at the same platform.

In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.

A teenage girl is outed as lesbian in gossip that spreads quickly across her school. She finds herself judged and insulted by her peers, and coerced into trying to change herself by someone she took to be her friend.

Louis Friedman, a gay man reeling from a bad break-up, wants to know what the ugliest part of himself is. One day, a strange woman arrives and shows him.

A German tourist solicits two Israeli men for kinky sex. The Israelis feel pressure to fulfill the German's violent sexual fantasies.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.