Quisiera no estar borracho para decirte lo que siento sin sentirme raro por ser humano

A filmmaker revisits her childhood, interweaving 16mm vignettes and her old child services documents, uncovering the truth she couldn't voice as a child.

You hear the gentle lapping of the water, the shimmer of the waves. The room is all blue. Right in front of you, a fragile signal is picked up on the screen. Step closer, and press A to mimic it. Hold the frequency : This is your first contact with the loneliest whale in the world. Note where it is, we’ll come back to it later.

Framed within the genre of "essay film", and with the landscape of Mar de Cobo as its central core, the film explores the limits between documentary and fiction through a strong poetic imprint.

We are, an Untold Story is a poetic documentary about undocumented women and their access to the health care in UK. The film is their stories of anger, fear and desire to access maternal health care in UK.

A glimpse into the parkour journey of Malik Osborn.

Through the memories of three Scarborough residents, unhome explores the cultural identity of home and the impact of gentrification

Not every experience leaves a trace, but some quietly change you, and you rarely know which until long after. Unscripted Ayman is a personal and reflective documentary that revisits one man's time in El Jadida, the people he met, the things he learned about himself, and the slow realization that meaning doesn't always show itself in the moment it's lived. It's a film about looking back and asking: was I simply passing through, or did it truly matter? A short poetic documentary by Framed in Marrakech. Watch here: https://www.youtube.com/watch?v=Cs6tzfmi0rg&t=96s

Father’s Fireworks is a short film the artist edited out of footage of daily life that he had previously shot. The film first depicts a worrisome and loving letter written by Yang Fudong's father to Yang Fudong through textual still frames, after which it shows the artist’s father setting off fireworks in celebration of the New Year.

On the threshold of her old age, Dolores faces a wall full of memories.

There was once a group of Peruvian anarchist poets forced into hiding who, during their secret meetings, sought to assume a non-human identity. Drawing on the famous Persian fable of the same name, the filmmaker translates the power of poetry and friendship into images and sound, serving as def iant stances against the established order.