Yes, Papasolini!

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth. From the monarch butterflies that swarm the highlands of Mexico to the birds who navigate by the stars and the millions of red crabs who make the perilous land journey across Christmas Island, this release offers a look at animal instinct in it's purest form.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.

A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.

This intimate film follows six Afro-Native Americans from around the U.S., as they reflect upon the personal and complex issues of Native and African heritage, ethnic identity, and racism within communities of color.

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.

A lawyer, reporter, and inventor team up to address one of the world’s largest pollutants that goes under the radar: plastic in clothing.

Nikki is no professional athlete. Still, she swims the English channel to raise money for a good cause.

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.

A new type of cinema you can perceive with your butt hole.