Boogie Man: The Lee Atwater Story

Thirty years after the release of his film JFK (1991), filmmaker Oliver Stone reviews recently declassified evidence related to the assassination of President John F. Kennedy, which took place in Dallas on November 22, 1963.

Fall Of The Republic documents how an offshore corporate cartel is bankrupting the US economy by design. Leaders are now declaring that world government has arrived and that the dollar will be replaced by a new global currency.

A documentary on a stereotypically shady used car salesman, one who convinces customers to buy vehicles that others have deemed unfit for sale.

Peter Thiel. David Sacks. Elon Musk. Mark Zuckerberg. Jeff Bezos. These tech titans have pledged their loyalty to President Trump. But what do they really believe and what do they stand to gain? This unfiltered portrait, revealed by insiders, shows where American democracy is heading and how this handful of tech billionaires accumulated such unprecedented power and influence.

A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.

The unique life and talent of Caroline Aherne is celebrated in a new Arena film, featuring unseen photographs and contributions from a cast of her lifelong friends, including Steve Coogan, John Thomson, Craig Cash and producer Andy Harries.

Taking Liberties Since 1997is a documentary film about the erosion of civil liberties in the United Kingdom and increase of surveillance under the government of Tony Blair. It was released in the UK on 8th June 2007. The director, Chris Atkins, said on 1 May that he wanted to expose "the Orwellian state" that now threatened Britain as a result of Mr Blair's policies.

Sergio Citti talks about a video he shot in 1975 after Pier Paolo Pasolini's death.

Back in 2023, Paul spent multiple days and nights outside the Eras Tour in Los Angeles getting to know a group of Taylor Swift fans that are rarely talked about... Swiftie Dads.

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.