Drama / Romance
Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her…


Tita

Pedro Muzquiz

Mamá Elena

John Brown

Nacha

Rosaura

Gertrudis
Chencha

Cura

Sergeant Treviño

Paquita Lobo
Esperanza

Jimmie is seeing his single friends get married one by one. He isn't too worried until his girlfriend Anne catches the bouquet at his friend Marco's wedding. Suddenly, his wild mustang days are numbered. He finally decides to propose to her, but he sticks his foot in his mouth and botches the proposal. Being insulted by the defeatist proposal, Anne leaves town on an assignment. After she's gone, he finds out that his recently-deceased grandfather's will stipulates that he gets nothing of a multi-million dollar fortune unless he's married by 6:05pm on his 30th birthday: tomorrow! Not being able to find Anne, Jimmie begins backtracking through his past girlfriends to find a wife.

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

7 years ago, Yoichi died in a traffic accident. His wife Ryoko did not receive compensation from her husband's death. She has since raised her son Junpei by herself. Junpei is now a middle school student. Ryoko also cares for her father-in-law, who lives in a nursing home and she also runs a cafe. Her care is in a difficult situation due to Covid-19, while Junpei experiences bullying at school.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.