Folks!

When New York attorney Gordon Hocheiser meets Louise Callan, the girl of his dreams, he schemes to eliminate his aging, senile mother, even though he promised his late father that he'd always take care of her. He fears that his batty mom's eccentricities will shortly lead to Louise's departure.

Josephine, harboring a fear of being forgotten by her grandfather with dementia, summons the courage to visit him at his nursing home.

A young adult recounts childhood memories involving his 6th grade teacher and the lessons she taught, particularly her unconventional assignment: to daydream.

In between caring for her mother, a young woman works part time at a prison. The rookie guard gets a chance to prove her mettle when she's tasked with accompanying a hell-raising inmate on an emergency furlough to visit her dying mother. But things soon spiral out of control, sending the pair on a hilarious, surprising, and ultimately touching road trip.

After months of living a solitary existence, Lenny, 34, picks up his kids from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny hosts his kids within a midtown studio apartment in New York. During these two weeks, he must figure out if he wants to act as their father or be their friend. Ultimately, their trip upstate results in complete lawlessness taking over their lives.

A father buys his closeted son a night with a prostitute.

Pierre Gastié-Leroy is the son of a wealthy director of a factory of weapon manufacturing. Despite his parents, two generous uncles and a bishop godfather who try to inculcate him the rigid values of his social level, Pierre is a dreamer, antimilitaristic, social educator who dreams of saving three thugs, his "little guys" at the limit of delinquency. After several resounding failures that sent him to prison, Pierre is ordered by his father to join his factory to direct the social service. Tired of the venality of his father and the foolishness of the "little guys", Pierre hires them at the factory...

Mamma Gógó is about Gógó, an elderly lady, who is diagnosed with Alzheimer disease and her son’s and family’s reaction to her illness. While Gógó is continuously getting herself into trouble, of the kind only a person with Alzheimer can, the son, the director, is struggling with financial troubles after his film Children of Nature has flopped in the cinema. As Gógó‘s disease progresses her family decides that it is best for her to move to a nursing home. Gógó and her deceased husband, who appears on the scene, are not happy with that decision. The director is dependent on others when it comes to his finances and when Gógó settles into the nursing home he decides to sell his mother’s apartment and valuable artwork but the profits of the sale help him to get by.

Hank marries the divorced Joan, who's the mother of teens Sebastian and Jessica. After living with his new family for years, Hank announces that he's getting a sex change operation. The family deserts Hank, with Jessica going her own way and Sebastian staying with his mom. But Joan becomes an alcoholic, so Sebastian moves back in with Hank — now Henrietta — who turns out to be far more supportive than anyone else.

A kid asks his father a question about relationships, yet he finds the answer Herherrifying.

Lalau (Gregorio Duvivier) is presented by the country's interior with his show jokes, whose main theme is her father, Ramon Velasco (Tarcisio Meira), an actor who always gets into shenanigans. One day, when present in Ceará, Stan receives a tempting proposal by Flora (Flávia Alessandra), which offers $ 100,000 so he pretends to be a famous guru in a motivational speech in Rio de Janeiro. He accepts and goes to Rio without telling his father. After seeing his son on the cover of a newspaper, Ramon decides to go after him and creates many characters to ensure their part.