The Flower Girl

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

Mickael's family is struggling (they don't have enough money to pay for hot water) however his life is full with Judo and his girlfriend Venessa. Then Mickael makes a decision to open up his relationship to include Clement his rich-kid Judo partner, starting a chain of events.

A portrait of a depressed mother and her child.

Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Coin is not about chasing wealth. It is about what happens when people are pushed so far down that they stop reaching altogether and only fight to keep what little remains. In a system where value circulates freely but dignity does not, innocence becomes the last uncontaminated force capable of interrupting the cycle.

When fifteen year old Mercy faces the unimaginable, her courage and resilience come to the fore. What could have been the end of her story is only the start of a new journey.

Garm Roti, Thandi Soch follows a single day in the life of Bashir, a tired, working-class man in Karachi navigating a world shaped by corruption, class divides, and quiet domestic expectations. What begins as a simple request from his wife—to bring home warm roti—turns into a symbol of everything denied to him. Throughout the day, Bashir endures the suffocating monotony of his government job, the intrusion of a performative NGO crew, and the daily humiliations of a city where the powerful move freely and the powerless wait in silence. His offhand remark, “Mulk ke halat garam hain, par roti thandi hai,” becomes an accidental viral soundbite. By nightfall, he returns home emptied, carrying only cold roti and the weight of unseen struggles. His silence at the end captures a life swallowed by a society that overlooks him, offering no transformation—only the stillness of enduring what cannot be changed.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

When housewife Trina wins the lottery, her comfortable life with her dentist husband John slowly deteriorates, in part by her own increasing paranoia and partly by the machinations of villainous acquaintance Marcus.