
Fred Astaire
Tom Bowen
A brother and sister dance act encounter challenges and romance when booked in London during the Royal Wedding.

Tom Bowen

Ellen Bowen

John Brindale

Anne Ashmond

Irving Klinger / Edgar Klinger

James Ashmond

Purser (uncredited)

Sarah (uncredited)


»Dancers« is centred round a dance school run by the bright and lively Annika and her no-nonsense mother. One day Annika meets Lasse and falls passionately in love. But there is something Lasse hasn't told her, something he has done that is not so easy to forgive. Confronting an unknown darkness in Lasse, and in herself, Annika is forced to recognize the high cost of saying yes to love.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

The heroic Leonidas, armed with nothing but leather underwear and a cape, leads a ragtag group of thirteen Spartans to defend their homeland against the invading Persians (whose ranks include Ghost Rider, Rocky Balboa, the Transformers, and a hunchbacked Paris Hilton). No one is safe when the Spartans take on the biggest icons in pop culture!

A bassist shows up early for the betrothal ball of a beautiful princess, and whiles away the time having a dip in the river. The princess is doing the same, unbeknownst to the bass player, but when someone steals their clothes, the bass player helps the princess to preserve her dignity by transporting her back to the castle in his bass case, and along the way they discover they have feelings for each other. Based on a short story by Anton Chekhov.

Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh fashion house run by her assistant, Stephanie. There they meet the singer Scharwenka (alias Huck's old friend Lizzie), who gets the band a job. Meanwhile, Madame Roberta passes away and leaves the business to John and he goes into partnership with Stephanie.
Backstage Guest (uncredited)

Telephone Operator #1 (uncredited)

Cabby (uncredited)
Dancer in Haiti Number (uncredited)