Roy Rogers
Taffy Baker
Cookie Bullfincher
Jean Loring
Bert Baker
Cap Foster
Matt Wilkes
Old-Timer
Old-Timer
Henchman
Henchman
Bob Nolan
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. They will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.
There's a box social coming up, and Curly asks Laurey if she'll be his date. Trouble is, Laurey thinks he's waited too long, and in a fit of pique accepts an offer from the boorish ranch hand Jud instead. Meanwhile, Laurey's friend Ado Annie is also torn between two men: cowboy Will and foreign peddler Ali Hakim. Both women struggle to know their own hearts before it's too late.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
Starring Ken Curtis and the hayseed singing group the Hoosier Hot Shots, this musical Western is really Lady for a Day with a switch in gender. Rotund Guy Kibbee is Dusty Nelson, the handyman at the Bar B dude ranch, whose daughter Susan is arriving with her socialite fiancee, Jerome Winston. Susan believes her father owns the ranch, and to spare Dusty any embarrassment, the Hot Shots, ranch manager Curt Durant and sidekick Big Boy Stover agree to continue the deception.
Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.
It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.
Trailing outlaws, Lucky runs into a trap and loses his horse. The outlaws then use his horse to frame him for murder. During his fight with the outlaws he recognized one of them and he now has Cannonball get him out of jail. Then he gets Cannonball to lead the outlaw out of town where he hopes to beat a confession out of him. After clearing himself he plans to go after the boss of the gang.
