
Anne Larson

Raymond

Cecile

Elsa

Philippe

Juliette Greco

Pablo

Philippe's Mother

Mr. Lombard

Mrs. Helen Lombard

Jacques

Denise

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.