Horny Diver: Tight Shellfish

Currently in the spotlight of the media, a sexual clinic in Nishi-Shinjuku, Tokyo called "SEX Women's University" (president: Ikuro Nishikawa, chief professor: Happy Funatsu) is visited with a camera, and patients (male and female) suffering from sex are shown. This is a series of secret shots of the patient's sexual sensitivity enhancement treatment, featuring a young woman, a middle-aged couple, and a young couple. The SEX treatment by the director, the chief professor, and a beautiful nurse is a sight to behold.

Brother, sister, sister's best friend, teammates... The attempted rape and assault incidents that occurred that summer, and the subsequent suspension from the Koshien tournament. Five years later, as they reunite, each carrying their lingering feelings, quiet emotions resurface...

"Apartment Wife" pink film distributed by Million.

Two couples meet at a spa when they realize their respective suites share a bathroom.

A building manager spots a hooded jogger as he brazenly assaults a woman and drags her off. He follows and watches as the poor woman gets raped. After the rapist has left the manager hesitates and approaches the prone woman… and takes his turn. The next day the manager is on the lookout for the jogger, waiting for another chance.

16-year-old Tachiko (Kimiko Asuka) discovers the true nature of her father's wife, Fumie (Michiko Sakyo), who is after the fortune of the company president, Gozo (Keisuke Senda), and recommends divorce to him, but she is kidnapped and her virginity is stolen by Hayata (Ryoichi Amano) who is colluding with Fumie. After the funeral for her father, who committed suicide out of pity for his daughter, Tachiko disappears.

Isabell runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev, a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac, the owner of the place, decides to close the castle...

On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

A young woman takes off several layers of clothing.