Ouranos / The Howler

Oca
The opening of this remarkable and mysterious film brings into view a scene in a parlor, with two servants discussing the easiest way to hang four pictures which are leaning against the wall on the floor. The artful butler suggests to the pretty parlor-maid that she should hang the pictures from the step-ladder which he hastens to secure from an adjoining room. In the meantime the maid mysteriously proceeds to hang the pictures herself by walking up the side of the wall, and after accomplishing this strange feat turns a somersault from the wall into a chair.
Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)