In August

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

The short takes place around the Big Bang… probably before. A poor creature called the Spiderelephant spends its life walking in one direction (see why the dimensional aspect is important) and the short recounts what happens when it runs out of a place to walk.

Deep Down redraws a descent into hell of a stripper called America, lost in the very depths of the U.S, taken away by a devastating love-story.

A very short film about members of a community who one by one suffer murder and assassination by various methods. So much sadness, pain, suffering, by children, mates, couples separated, friends lost. Fear and horror are always present, watching their loved ones being murdered, some in a slow deliberate manner, that will horrify the sensitivities of the tenderest among you.

Bonzo is rejected by his sweetheart, a pekinese called Chekee, who is enraptured by her favourite film stars. However, she readily accepts Bonzo after he has been to Hollywood, and returned as the famous actor Bon Chaney.

Early abstract 3D film by animation master Norman McLaren.

Early abstract 3d stereoscopic animation by Norman McLaren collaborator Gretta Ekman.

A young father listens to his wife soothing their newborn child over the baby monitor. What could possibly go wrong?

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

Tonight, young Max is learning how to be an assassin...

Dirtpeople are living in misery until the Mighty Soap arrives, who washes them clean.

An alarm clock wakes a man who washes his face, has breakfast, drives his car to work, spins records, returns home, and takes his pills. It's a world of circles - often seen from above: an espresso cup, a stairwell, the pills, and the records spinning. At the dance where the music plays, the rhythms evoke images of a butcher slicing head cheese, gears driving other wheels and levers, a combine churning out bales of hay, a butcher cutting chunks of meat for a stew, and boxers punching. The circle of music and life.