De occulta philosophia

Part I of the series "Glenn Gould Plays Bach" is devoted to Bach's "Art of Fugue." Gould's performance is followed by a lively repartee with Monsaingeon, in which the pianist provides dazzling insights illustrated by music examples. He explains, for example, why he plays some pieces extremely slowly, and bemoans the "musicological overkill" of scholars who insist that Bach's keyboard music should only be played on a harpsichord.

Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.

Raul Lara, an Ecuadorian luthier, works around seven months in the construction of each instrument. Sometimes staying for four consecutive months inside his workshop, place in which time and space are surreal. The guitar becomes alive and receives its soul in here.

Khorshid, a blind child growing up in Tajikistan, is constantly distracted by music and sounds. This frequently causes him to be late to his job as an instrument tuner even though he runs the risk of being fired at a time when his family is in danger of being evicted from their house.

Since William Christie founded Les Arts Florissants in 1979, they have strengthened year after year their reputation as one of the world’s premiere ensembles for early and Baroque music. For this 40th anniversary concert from 2019 at the stunning Philharmonie de Paris, core artists from “Les Arts Flo” reunite to perform some of the ensemble’s trademark pieces, from Lully’s Atys—a long-forgotten masterpiece they revived in 1987 over 230 years after its last performance—to the great operas of Rameau and gems by the likes of Charpentier, Purcell, and Handel. This celebratory concert features another first for the storied ensemble, as Christie shares conducting duties with Paul Agnew! Riveting from beginning to end, this Baroque Odyssey encapsulates all the qualities—world-class instrumentalists, impeccable Baroque vocalists, cannily chosen repertoire—that have made Les Arts Florissants such a beloved and enduring fixture in the classical world.

At night, in the dark recesses of the woods, a male cellist lures in viewers with a performance of Bach's "Cello Suite No. 1 in G Major." It stars Paul McCoy Drutz-Hannahs, a professional cellist with the Johns Hopkins University Orchestra.

The personal life and professional career of music superstar Gordon Matthew Thomas Sumner, universally known as Sting, who became passionate about music at a very early age and founded the trio The Police in 1977 with Stewart Copeland and Andy Summers, achieving an immediate success.

A two hour documentary on Johann Sebastian Bach. World-class musicians share their innermost thoughts and personal reflections on the power and genius of the most influential composer in history.

In Part II of the series "Glenn Gould Plays Bach", Gould concentrates on the fugal form in Bach's works, showing us how Bach uses keys like stops on an organ, and how they give him ideas and colours. He performs various fugues from the Well-Tempered Clavier and reveals why he feels the "Art of Fugue" is the work that summed up Bach's life.

Part III in the series "Glenn Gould Plays Bach" spotlights Gould recording Bach's "Goldberg Variations" in a sound studio. In a brief introduction, he reminisces about his first recording of the pieces and explains why he wanted to record them again now, a quarter of a century later. It was to be his last recording of the "Goldberg Variations" and perhaps the last time he played the work: Glenn Gould died the year after the recording was made.

Francesco Cavalli's incandescent opera, where tragedy rubs shoulders with comedy, and burlesque alternates with deep emotion. Max Emanuel Cenčić directs a lively production, drawing on the codes of commedia dell'arte. This game of love and chance combines passion, betrayal, and power struggles. The countertenor takes on the title role, while Leonardo García Alarcón conducts the Cappella Mediterranea.