
Himself

Maher addresses contemporary political, social and cultural topics -- Iraq, President Bush and the so called Axis of Evil. The opinionated Maher said about Victory Begins at Home: "We've heard everything about the War on Terrorism except what we can actually do to help win it. The government used to do that for us through propaganda (the positive kind) posters, so taking my cue from the great old posters of World War I and World War II ('Loose Lips Sink Ships,' 'Buy War Bonds,' 'Plant a Victory Garden,' etc.) I commissioned artists to paint the posters our government today should be putting out to help us win this war."

Dry, wry and hilariously deadpan, Steven Wright unleashes a torrent of ironic and hysterical thought-provoking one-liners in the quirky stand-up style that has become his trademark. From Toronto's historic Elgin Theater, this Oscar-winning comedian keeps an adoring audience in stitches with random observations on everything from baby monitors as a form of wiretapping to his addiction to placebos.

London, 1940. Aspiring jazz musician and future comedy legend Terence 'Spike' Milligan reluctantly obeys his call-up and joins the Royal Artillery regiment at Bexhill, where he begins training to take part in the War. But along the way Spike and his friends get involved in many amusing — and some not-so amusing — scrapes.

Though he began in stand-up comedy, Andre Allen hit the big-time as the star of a trilogy of action-comedies about a talking bear but now he wants to be taken seriously. His passion project about the Haitian Revolution, a movie called Uprize, was panned by the NY Times film critic. A couple days before the wedding to his reality star fiancée, he's forced to spend the day with Chelsea Brown, a profile writer for the New York Times. Unexpectedly, he opens up to her, and as they wind their way across New York, he tries to get back in touch with his comedic roots.

The film mainly consists of various, often grotesque episodes. There is also a frame story from which the episodes are derived. However, the connection between the frame story and the episodes is very weak. Many episodes revolve around surveillance and security. In the frame story, insurance agent Erich and Richard are stuck together in an elevator that is unusually large for an apartment building (about 3x3 meters). While Erich wants to get out as quickly as possible, Richard isn't actually in any hurry, as he seems to live in the elevator.