Grandma Moses

Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).

A mother speaks about raising her son Penelope, who had been assigned female at birth.

This short film presents a discussion about the role of merchants on Fogo Island, and of the feasibility of cooperatives.

Short film by Gisbert Hinke

Nazi propaganda short about paratroopers

Two brothers, an exuberant father and an invisible mother. A family of farmers from an Alpine valley where life is rude, as well as manners. The younger son, Gim, is discovering his homosexuality, but the world around him, especially his father, just can't accept that. So the elder son Alex is stuck in the middle, on one hand encouraging Gim to overcome all his fears, on the other trying to continue the tradition of the fathers. In such an exasperated context is hard to recognize the love hidden behind. Will they be able to keep on living together?

Artist Jackson Pollock is seen at work painting a large canvas, then later on painting on a large sheet of glass.

While extracting and polishing their blocks of stone, stonecutters used to say “the stone is coming to life". This paradox provided Matsumoto with the best metaphor for what making a film is all about. In his opinion, filmmakers work images in the same way that stonecutters work stones.

‘Sit Down and Shut Up’ is an exciting new short documentary about when Limerick FC played football giants Real Madrid in the 1980 European Cup. It’s a David vs Goliath tale about the opera of football, the city of Limerick and a game that few remember but three men can never forget.

A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.