Tar Creek

Award-winning war photographer Rita Leistner goes back to her roots as a tree planter in the wilderness of British Columbia, offering an inside take on the grueling, sometimes fun and always life-changing experience of restoring Canada’s forests. Leistner, who has photographed some of the world’s most dangerous places, credits the challenge of tree-planting for her physical and mental endurance. In Forest for the Trees, her first feature film, she revisits her past to share the lessons she learned. The film introduces us to everyday life on the “cut-block” and the brave souls who fight through rough terrains and work endless hours to bring our forests to life. The rugged BC landscape comes to life magically in Leistner’s photography, while the quirky characters and nuggets of wisdom shared around the campfire tell a sincere story of community.

A documentary following the sharp decline of the cod fishing industry in New England. Included is an in-depth look at the potential causes and the resounding effects upon the lives of the fishermen themselves.

The first full-length film about the Chornobyl tragedy, filmed in May-September 1986. The authors did not set themselves the task of showing an exhaustive picture of what happened in Chornobyl. They sought to capture the testimonies of people directly involved in the tragedy, the lessons of which have yet to be realized.

Emília Pedro e Fernanda Jorge revisit childhood memories to identify over 70 land parcels inherited from their father. As physical traces fade, memory and oral tradition become the only way to 'see' what is no longer visible.

An award-winning short exploring man-made impacts on New Zealand’s water cycle.

This is one of the most beautiful rewilding stories of our time, that of Douglas and Kristine Tompkins, a couple of successful entrepreneurs – The North Face and Esprit – who decided to dedicate themselves to protecting vast territories in Patagonia. The results of their actions are astounding: in 30 years they enabled the creation and expansion of 18 national parks between Chile and Argentina, covering a total area of 7 million hectares, equivalent to the size of a country like Ireland. By transforming these spaces and reconstructing natural ecosystems, the development of these parks has also enabled the creation of social bonds, developed a new form of economic activity, brought forth a political space, and contributed to strengthening the population’s sense of belonging to their territories.

The environmental problems caused by fracking in America have been well publicized but what's less known are the gas industry's plans for expansion in other countries. This investigation, filmed in Botswana, South Africa and North America, reveals how gas companies are quietly invading some of the most protected places on the planet.

Developments in the Canadian forestry industry during the 1970s are shown being carried out both as lab experiments and in the field to protect and conserve the country's vast forests. These include turning a Newfoundland bog into woodland, fostering British Columbia seedlings that withstand mechanical planting, inoculating Ontario elms against the bark beetle, devising ways of controlling fire, and more.

In Fabrizio Terranova’s film, Donna Haraway – an original thinker and activist, one of the founders of cyberfeminism and the author of A Cyborg Manifesto, which proposed a number of innovative theories about the existence of scientific knowledge – calls for the abandonment of the idea of human exceptionalism and for a conception of the world as complex web of interconnections between people, animals and machines. Jellyfish can be seen flying around her home while she discusses the stories that are necessary for Earth’s preservation and reads her fantastic tale of the art of survival on a broken planet, and of fusion and care between the species.

Weaving together dozens of professional and amateur archival sources, along with dramatic interviews with the people behind the cameras, Witness: Joplin Tornado reconstructs the deadliest tornado in modern times, through the eyes of those who lived through it. A group of strangers huddle together in a convenience store cooler, shrieking in terror as the tornado tears apart everything around them. A husband-and-wife stormchasing team find themselves caught in the teeth of the storm, then pressed into service when it finally passes. A young mother sobs as she surveys her daughter’s destroyed bedroom. Yet all the while they film, using their cameras to record both the harrowing experience of the storm itself and the shock of what confronted them after — homes destroyed, neighborhoods flattened, a city devastated. Witness: Joplin Tornado tells the story of that day and its aftermath entirely through the videos and voices of the survivors.

On November 25, 1973, the first of four car-free Sundays transformed West Germany's deserted highways into spaces for walking, cycling, and horse-drawn carriages, while towns and cities took on a festive atmosphere. Introduced during the oil crisis to conserve fuel after the Arab oil embargo and production cuts following the Yom Kippur War, the measure became an unforgettable collective experience. Beyond the immediate energy shortage, the crisis marked a turning point, ending the postwar economic boom and encouraging greater awareness of energy use, consumerism, and environmental issues.

Peter Westerveld, artist and visionary, doesn’t want institutions to resolve the problems linked to earth’s problems. Growing up in Africa, he witnessed the advance of the desert and dedicated himself to finding solutions for the ongoing erosion and desertification of the land. The film follows Peter and the NGO working with him to realise his project; to build contour trenches that capture and store rain water under the surface and replenish the desert land.