Last Days in a Lonely Place

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.

The protagonist feels dead in waking life and alive in dreams.

When an ex-private like Frankie is forced to take on hitman contracts, it's a sign. Times are tough for him. His journey through the underworld in search of his victim will take him far, far too far for his liking. Frankie goes to the other side of the stage and discovers the truth: he's just a plasticine puppet.

Set to a backdrop of desolate snowy mountains, a young boy and his brother stumble into a surreal and twisted journey. Trying to escape their surroundings they are pursued by mysterious figures and have to confront themes of isolation, death and identity.

10-year-old Danny can’t believe how naive and dumb Little Red Riding Hood from Grimm’s fairy tale is. Determined to save the girl and her grandmother from the evil wolf, he decides to travel through time and change history. But Little Red Riding Hood is not stupid at all. And she certainly doesn’t need to be saved …

O, a creator who has become lost within his own creation. As Death arrives at 3:33 am—the witching hour—to claim him, O is forced to confront the flaws in his work and his own mistakes. Through a series of flashbacks, the film reveals O's influence on the world he built, using various characters from different eras to maintain his followers' worship. The narrative explores themes of creation, legacy, and the consequences of a creator’s flawed intervention in their own work, ultimately suggesting that his removal is the only way for the game (a metaphor for life) to be truly fixed.

"TALES FROM STRANGERVILLE" is a 2020 machinima created in The Sims 4 and directed by Alvin Soprano and Harley Coleman. Serving as a sequel to the creator's first machinima, "SOMETHING STRANGE IN STRANGETOWN" (2007), the film continues the story of an unnamed protagonist who was abducted by a mysterious light. Now named Lavinia, she is dropped into the technologically advanced desert town of StrangerVille with no memory of what transpired. The film follows Lavinia as she teams up with George Cahill and Erwin Pries to investigate the source of a mysterious, disembodied voice only she can hear. Their search for answers leads them to a classified government lab at the heart of the town’s strange occurrences, where they must confront the truth behind the town’s bizarre infection and Lavinia’s own past.

An expressionistic micro-short animated tribute to film noir.

A short animated film about censorship.

To avoid galactic war, the treatment of a frozen planet and its people must be decided.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.