Coming Home

The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

Cambodia, once the ancient kingdom of Funan, April 17th, 1975. The entire country falls under the tyranny of Angkar, the communist party of the Khmer Rouge. The cities are abandoned, the population is thrown to the roads and forced to walk towards an uncertain future…

Set amid the military maneuvers and Quatorze Juillet carnivals of turn-of-the-century France, Jean Renoir’s delirious romantic comedy Elena and her Men stars a radiant Ingrid Bergman as a beautiful, but impoverished, Polish princess who drives men of all stations to fits of desperate love. When Elena elicits the fascination of a famous general, she finds herself at the center of romantic machinations and political scheming, with the hearts of several men—as well as the future of France—in her hands.

Fundamentalist sect member BeckyLyn is accused of killing her husband. Queenie, another wife in the polygamist sect, doesn't believe BeckyLyn is capable of such violence and desperate to prove her innocence reaches out to her excommunicated son Jordan for help in freeing his mother.

The lives of three young Middle Eastern women intertwine as they struggle to defy tradition and create their own realities. From an arranged marriage and a lesbian love affair to an abusive family situation, the film delicately tackles some of the issues Middle Eastern women are confronted with today.

First part of two of the saga of the troubled Buddenbrook family and their business in mid 19th century Germany.

Pia, a typical “Mumbai” girl, makes her first ever day trip to Delhi and agrees to meet a possible match for marriage on her mother’s insistence. She lands in Delhi determined to reject the guy after meeting him because after all he’s from “Delhi”. However, as it turns out she loses her phone while fighting with an auto driver and meets Goli Kohli, a witty “Delhi” boy who grudgingly agrees to help her. One thing leads to another and they end up spending the entire day together. They fight, they argue, they laugh and share a lifetime of emotions in one day. When they meet in the morning they are strangers with strong biases about Mumbai & Delhi, when they part in the evening, the biases have turned into affection for each other’s quirks and finally, love.

Katina, an impoverished Greek woman, tries to arrange the marriage of her shepherd son, Thanos, to Despina, the daughter of a wealthy landowner. But Despina’s father, Vlahopoulos refuses to give his blessings.

Don’t Be Afraid (Daro Mat) revolves around the less spoken about Indian Girl. The indian girl who is smart and yet devoid of opinions as ‘ having an opinion’ was never an option. The movie depicts her strength portrayed by simple thoughts.

An arranged marriage in Mumbai, a cowardly, slacker husband and a slum of a house: the very ingredients that cause Uma to slowly transform into a feral and ruthless figure guided by her wildest impulses.

A young woman carrying an unimaginable responsibility. A young man torn between love and honor. A jealous king who will stop at nothing to keep his crown.