Made in Albania

One of the most recognizable voices in all of modern day music, Dua Lipa quickly rose to fame. Her catchy tunes and sultry vocals make her music appeal to a global audience.

Children get ready to start the first grade. They start learning the first letters.

A documentary that investigates the complexity of a nation, Albania, through the narration of the convoluted history of its monuments. What happens to the statues when they are destroyed, what are they replaced with and where do their marble shreds end up? What happens to their expensive bronze? And again: what do the sculptors who made these statues think of these destructions, what is their opinion. And today? Which statues are being destroyed in Albania today?

Albania in the southeast of Europe – situated between Greece, Macedonia, Kosovo and Montenegro – hosts an astonishingly diverse landscape. Harmonic coastal areas lead to harsh karst landscapes. Snow-covered mountain regions, wild canyons, waterfalls, deep-blue lakes and untouched rivers are perfect conditions for an immensely rich flora and fauna. Decades of war preserved wide areas of the country from industrial exploitation, so the natural environment is still untouched.

In northern Albania, ancestral customs still exist, governing the laws of vendetta between families. Sometimes, for generations, an old feud has pitted two clans against each other, condemning them to take turns murdering a member of the opposing family. This blood code, known as the Kanoun, has painful consequences for many Albanians, who are condemned to live in seclusion to avoid being killed.

Documentary about Congres VI of the Women's Union.

A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.

A documentary unraveling the untold stories and brutal experiences of the Kosovo War in the late 1990s.

Eliza Dushku takes on her homeland of Albania.

“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.