Horns and Halos

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

Mr. Gray is the new Resident in Charge of the Welcome Islands in the Indian Ocean. The Islands are full of life, but the only other Europeans are the "sanctimonious, psalm-singing" brother-sister missionary team of Martha and Owen Jordans, and the Honourable Ted - a hard-drinking, womanizing social outcast whose English family pays him to stay away. Martha and Ted become an unlikely team when cholera threatens the islands and they must do their best to stop its spread.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

The story of a rebel with a cause, this dystopic art film takes place in a future where humans have become drones in a decaying post-industrial hive.

All the way, Cao Li has come alone. From Fuyang to Shenzhen. From Shenzhen to Shanghai. From Shanghai to home? Leaving hometown is her choice, the choice out of no choice. Returning home is her dream, the dream getting blinded by the neon lights in the city.--

MARJORAM is a psychological suspense drama about a mother-daughter relationship in which love and abuse seem go hand in hand. Anna (11) is a smart and talented kid. Mary, her mother, actively supports Anna so that she can get the best out of her talents. However, suddenly Anna starts behaving in strange ways, putting herself in danger. When asked what is happening, Anna claims that she is just fine. Her weird behavior however continues, driving Mary to her limits. Why a child, who seems happy on the surface, is acting so unpredictably? Why a mother, who loves her child so much, is having no clue of what is going on?

Little Fatmir, whose parents have worked in a construction site, dreams of building himself a town. In his efforts to make his dream a reality, the kindergarten teacher and a workman who brings in working tools for all his friends, assist him. Within the courtyard of a kindergarten, the newest town in the world is thus erected, where children's dreams and characters are revealed.

Tomka is a boy who likes playing football with his friends. When the German army captures his town, the German soldiers establish their camp in the town stadium. Tomka with help from his friends and their parents organizes sabotage actions against the soldiers.

After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.