Storm at Daybreak

A vicious crime lord decides that he has had enough and much to the shock of his colleagues decides to give the business to his second in command and retire to Florida after marrying his moll. Unfortunately, he has no idea that she and the man are lovers.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl dupe a high rise riveter into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.

Ann Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.

The Second World War. A group of Royal Air Force officers led by William Ash (Jakub Reizer) is staying in Oflag XXI B, located in Szubin (Poland). The prisoners decide to organize a diversionary action, which is to be a daring escape through a tunnel, named after the main originator - the Asselin tunnel. They are helped in their activities by the Polish resistance movement, which includes a young photographer, Henryk Szalczyński (Michał Matela), who develops photos for forged documents.

A small-time hood shoots his way to the top, but how long can he stay there?

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl, without knowing of their relationship. Thunderbolt hopes to stave off the execution long enough to kill young Moran for romancing his girl.

A trio of former sideshow performers double as the "Unholy Three" in a scam to nab some shiny rocks.

The coquettish granddaughter of a respected small-town judge is stranded at a bootleggers’ hide-out, subjected to an act of nightmarish sexual violence, and plunged into a criminal underworld that threatens to swallow her up completely.

After New York City firefighter Terry Lynch is unable to receive any compensation for an injury incurred during the off-duty rescue of a young girl, he grows suicidal. Furious, his brother Jimmy attempts to have Mayor Tyler intervene, but the corrupt politician instead denounces Terry as a drunk. Determined to get justice, Jimmy begins a graffiti campaign of embarrassing slogans mocking the mayor, which soon captivates the city.

Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.