Film belge

Bobby Boucher is a water boy for a struggling college football team. The coach discovers Boucher's hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.

Bob Spit, a comic book character, lives in a post-apocalyptic desert inside the mind of his creator, the legendary Brazilian cartoonist Angeli. When Angeli decides to kill off Bob, the old punk leaves this wasteland and faces his creator.

Rigadin and his rival use camera/projector systems to reach their objectives.

When her nation is invaded, a young princess is taken into the Princess Protection Program. She is relocated to Louisiana, where she stays with a covert agent and his tomboyish daughter, and must learn how to behave like an ordinary teenager.

Struggling to make ends meet in their day-to-day life, five young men decide to take to the stage to get their finances to align with their needs.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

In 1970, Kuster Beaton, a former silent-film star, gives an interview looking back over his career. A journalist asks him about his legendary power : an alleged super-speed that enabled him to shoot his films without special effects.

Legendary performer Sherry Britton presents song, dance (choreographed by Wakefield Poole) and comedy. The way burlesque used to be.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.

Everyone has their own Chimera, something they try to achieve but never manage to find. For Arthur, the Chimera looks like the woman he lost, Beniamina. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera.