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After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
In this heartfelt short film by Jesse Collier Sutterley, Roosevelt Farrow, born in 1929 at the start of the Great Depression, shares his lifelong dream of becoming a U.S. Marine, despite the racial barriers of his time. Raised by his grandmother in humble conditions, he was inspired by the sight of Marines visiting his community. Farrow’s determination led him to join the Marine Corps, where he faced the challenges of Montford Point boot camp, eventually becoming an expert marksman and retiring as a Gunnery Sergeant. Although he never saw combat, a fact he attributed to his wife’s prayers, he realized the significance of his journey when he witnessed black officers rising in the ranks. Farrow's story is a testament to perseverance and the pursuit of one's dreams, encouraging others not to give up on their aspirations despite austere beginnings and social injustice.
Compilation of newsreel items: Launch of SS 'Prins der Nederlanden'; Competition of lorries; Queen Wilhelmina and prince Hendrik visit an exhibition of church art; A carriage accident on the Amsterdam Singel (8 februari 1913); Suffragettes' march in Amsterdam; Queen Wilhelmina and princess Juliana go ice skating; Arrival of health officer dr. L. van de Steen van Ommeren who has been working for the Red Cross in Constantinopel; Fire in the Spalteholz en Ameschot factory, Achterweg 2; Prins Hendrik visits the exhibition in Ghent.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
