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New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.
Jae-min, still getting over his ex-wife Ha-ra, is a talent agent who takes care of actors and actresses with personal issues. They wouldn't leave him alone and kept pushing him to find more auditions for them. At his birthday party, his family tries to give him advice in vein, and to make it worse, Hara phones him every once in a while and confuses him. To Jae-min, being heartbroken with the irrevocable memories of the old days with Hara, Ga-hwa is the only shelter, although the staff there are not any better. Each day of life is tough, But isn't it true that all the meaningless chat, bullshit and nonsense altogether form the universe? The universe is getting old since its birth 15 billion years ago. In this universe, we are probably each other's merciful purgatories.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Six animated shorts about discrimination and being different. “Daydream” talks about dealing with people with disability. It homes in on the daily life of a father with a daughter whose hands and feet are deformed. “Animal Farm” relies on the rough-and-ready feel of stop-motion clay animation to create a satire of bullying and mob dynamics. “At Her House” paints a devastating picture of gender inequality within a marriage. “Flesh and Bone” gently pillories superficiality and the obsession with outward appearance. “Bicycle Trip” focuses on the discrimination experienced by foreign workers in Korea. “Be a Human Being” looks at the way young Koreans are barely treated as human beings before they get to university.
A two-part anthology consisting of two early feature films of pioneering directors Goran Kulenović and Kristijan Milić. The first of the two stories (The Safehouse) follows three police officers send on duty to guard a very persuasive client who reveals details about their lives that only they themselves could know. The second story (Bottoms Up) follows a young man named Tom, who decides to spend a lazy summer afternoon by visiting his favorite neighborhood bar, but, the more time passes by, the worse his day there becomes.
