Horror / Fantasy
Eight tales based on the most brutally terrifying Mexican traditions and legends, an anthology of haunting stories woven into the fabric of the Mexican culture, some told through the centuries and some new, but all equally frightening. Bogeymen, trolls, ghosts, monsters, all…

Sister (segment 'Drena')
Teenager (segment 'Drena')
Valeria (segment 'La cosa más preciada')
Laura (segment 'Lo que importa es lo de adentro')
Caged Man (segment 'Muñecas')
Caged Woman #1 (segment 'Muñecas')
Caged Woman #2 (segment 'Muñecas')
Tourist #1 (segment 'Muñecas')
Tourist #2 (segment 'Muñecas')
Wife (segment 'Siete veces siete')

Ana (segment 'Día de los Muertos')
Greg (segment 'Día de los Muertos')

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Asuka Miyazaki miraculously returned from the mysterious, otherworldly “Kisaragi Station” three years ago. Yet, she still looks as if she’s from twenty years in the past, drawing suspicion and isolation. When she meets a determined documentary director, she resolves to save Haruna Tsutsumi—who once risked her life for her—and others still trapped there. Boarding the train again, Asuka reunites with Haruna, unchanged from three years before, and steps back into Kisaragi Station.