Faith, Hope and Witchcraft

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Agnes Peterson is a student of journalism. Maria Guttesen suddenly disappeared in 1966 when she was 20 years old. 50 years later, Agnes will undertake an investigation to fulfill her grandfather's dream; to find his sister Maria, dead or alive, and solve the mystery of her disappearance. Jákup Jacobsen, a famous writer in Europe, was one of the main suspects, but evidence was never found against him. His latest published book talks about kidnappings of women. Agnes will move between reality and fiction to solve the case.

Two lost souls with incongruent world views meet again and again under strange circumstances, and it will gradually become clear that they are connected by some force that is bigger than they can fathom.

Seals were believed to be former human beings who voluntarily sought death in the ocean. Once a year, on the Thirteenth night, they were allowed to come on land, strip off their skins and amuse themselves as human beings, dancing and enjoying themselves. This short film explores the legend of Kópakonan, literally meaning “the Seal Woman”, one of the best-known folktales in the Faroe Islands.

Two friends, Rannvá and Barba, return to Faroe Islands after seven years abroad. The girls arouse both curiosity and outrage with their bizarre city appearance and emancipated behaviour. They embark on a road trip with one of the locals, Rúni, who - as it turns out - also carries a dark secret. The trio goes on a journey not just through the beautiful landscape of the Faroes but into the land of the past.

1862. Baldur lives a fisherman’s life on the isolated Faroe Islands far to the north in the Atlantic Ocean. His world is turned upside down when a stranger arrives: Helge, a rugged whaler, who awakens deep emotions within him. A mutual attraction starts to grow. When tragedy strikes, their forbidden passion unleashes natural forces so disturbing that the villagers rally to keep evil at bay. But Baldur and Helge refuse to let their love be buried. They will fight till the end – and after.

In a small Faroese village, four men find a sealed liquor barrel washed ashore at low tide. They hustle the heavy barrel into a basement, away from the prying eyes. Soon, however, the sneaking suspicion arises that instead of liquor, the mysterious barrel might in fact contain something else. Tensions run high as the host, Símun, eventually has to handle both the negotiations down in the basement, as well as his distrustful wife upstairs.

Presents a day in the life of a few inhabitants of Tórshavn in the Faroe Islands: A father and his daughter are having breakfast when the fire-brigade drive by. A woman and her child are looking at the fire and meet a married couple. The couple say hello to a man who is going out with his boat... and so on.

Maria hesitates when her best friend Birita offers her some pills, but – what the hell? Her mother’s away and they are both desperate to have some fun tonight. They set off and, once the drug takes effect, start euphorically planning how they might finally escape their dreary island...

The film depicts life in the Faroe Islands in the 1960s. It's a small society that has maintained its connection to the past, with old customs and ways of life, despite significant developments in trade and industry. Here, fishing remains one of the fundamental pillars of the Faroese economy. The film follows five men, crew members on the same trawler, from the moment they leave their homes in five different places in the Faroe Islands until they meet in the capital, Tórshavn, after long and difficult journeys to set sail on the trawler.

A short film from 2009. The film was shot in one long take.

Featuring the voiceover of Sir Anthony Hopkins, this public information film from the Whale and Dolphin Conservation Society starts out rather innocently with beautiful hand-painted animation. It describes how once a year a large group of pilot whales swim to a small group of islands known as the Faroe Islands.