Zapata's Gang

Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.

Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A claymation short. Mo makes an "anti-worrying" home video for her mum, to stop her from making mollycoddling phonecalls.

A young woman's first day of work in a supermarket in the Brazil countryside.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

Chris Wong takes his French-Canadian boyfriend home for Christmas, despite his traditional Chinese parents' disapproval. With the dramatics of three languages swirling around the table, Pierre tries to make a bond with Chris' parents and find the approval he wants.

Daffy Duck and Porky Pig search for a cursed treasure inside a jungle temple.

Adrian Grenier stars as Sean McAllister, a successful fashion designer who hasn't seen his family in years. He returns to his hometown for a painstaking family reunion that will take him back to his past only to rebuild his future.

Awakened to muffled voices and piercing light, a panic stricken couple crawl into the New Year.