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Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.
At the beginning of 2020 and for more than two years, at least four agents of the National Police Corps infiltrated various social movements in the Catalan Countries. They are part of the 33rd promotion of the Ávila Police School and act under the orders of the General Information Police Station. The documentary exposes the modus operandi and patterns of the police officers and reveals some of the mistakes that were key to discovering them.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
Oľga Ondreičková is one of the exceptional figures of the first generation of Slovak architects. Her work is characterized by pragmatism, simplicity, and monumentality. Her husband is architect Pavel Ondreička, with whom she collaborated on several projects, as well as on the design of furniture, interiors, and artistic decorations. At the height of her career, Oľga Ondreičková led her own project team, which was rare for a woman at that time.
Special care has been taken by International Historic Films to assemble this monumental documentary, which tells the story of what is left for a people after its land has been ravaged by war. Situated between the powerful antagonists Germany and the Soviet Union, the Baltic nations of Latvia, Lithuania, and Estonia bore witness to some of the most ferocious land battles of the Second World War.
Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.
