The Monster

Him – Her – and what’s in between. A short experimental silent fiction film shot entirely on 16mm BW and colour film made in the tradition of classic silent-era filmmaking.

Two baseball fans meet on a park bench, and a simple disagreement over their hats quickly spirals out of control.

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

When a calendar notification pops up, a frantic character tries to find the perfect date outfit.

George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.

A king grows suspicious of his favored woman's affection for an Italian troubadour. After confirming their secret romance, he takes a cruel revenge by sealing the lovers inside a secluded tower chamber with no means of escape.

A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.

Josh doesn't like the way things go at home and decides to quit and get out. Later, his wife gets what purports to be his farewell letter, which is intended to lead her to believe he has committed suicide. He, however, goes to New York to have a good time, and he does, "by gosh." The wife, believing herself a widow, makes a trip to New York with her admirer. Well, you may guess the rest.

Max Fleischer draws the upper and lower halves of the Clown's body, which dance around separately before coming together. Max interacts with his creation before ultimately washing the Clown off the page with water.