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Documentary
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up.…
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The story of Hitler’s final hours told by people who were there. This special features exclusive forgotten interviews, believed lost for 65 years, with members of Hitler’s inner circle who were trapped with him in his bunker as the Russians fought to take Berlin. These unique interviews from figures such as the leader of the Hitler Youth Artur Axmann and Hitler’s secretary Traudl Junge, have never before been seen outside Germany. Using rarely seen archive footage and dramatic reconstruction, this special tells the story of Adolf Hitler’s final days in his Berlin bunker.
Taking Liberties Since 1997is a documentary film about the erosion of civil liberties in the United Kingdom and increase of surveillance under the government of Tony Blair. It was released in the UK on 8th June 2007. The director, Chris Atkins, said on 1 May that he wanted to expose "the Orwellian state" that now threatened Britain as a result of Mr Blair's policies.
On the 1st August 1936, 100,000 spectators watched as Hitler and the Olympic delegates arrived at the Olympic opening ceremony in Berlin. The Olympic flags hung cheerfully side-by-side banners bearing the Nazi swastika. With the help of specialists and images from Léni Riefenstahl’s 1938 film, ‘Olympia’, we see what really went on behind the scenes and investigate the secret negotiations and compromises made by the International Olympic Committee to bring the Olympics to Berlin.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
