
Quinn

Jill

Simone

Freddie

Tiny

Barmaid

Lord Fenchurch

Jimmy Boy

Clarke

Stockman

Bus Conductor

Bank Manager

Ferdinand Weitel, a forklift driver, is desperate: Insurance agent Arno von Mehling, a true sales talent, has had contracts signed in record amounts. Now Weitel is wandering through the corridors of the insurance company trying to save what can still be saved - on Shrove Tuesday of all days. The department for customer service and complaints is in a colorful mood and has no ear for Weitel's worries. Finally, secretary Annerose Waguscheit takes heart and tells him about the evening carnival ball "Traum-Police", where he can safely find Mr. Mehling.

William Keane is barely able to cope. It has been six months since his six-year-old daughter was abducted from New York City’s Port Authority Bus Terminal while traveling with him. Repeatedly drawn to the site of the abduction, Keane wanders the bus station, compulsively replaying the events of that fateful day, as if hoping to change the outcome.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

After being sidetracked by Burnout and PTSD, Lavínia attempts to return to the relentless routine of urban life: buses, trains, the subway, and work. However, remnants of her past begin to project onto the cars of the present, blurring the line between memory and reality. While seeking refuge in the embrace of her wife Helena, the stations conceal an atmosphere of constant surveillance — intensified by Felipe, an ambiguous figure who feeds her state of alertness.

A young girl named Mitsuki receives a ticket for a bus tour from her uncle. The tour appears to be normal (expect that everyone appears to be quite sombre), but Mitsuki learns its true purpose: the other passengers and the tour manager have a suicide pact to send the bus over a cliff so their families can collect the insurance money.