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An experimental narrative by Duane Kubo—co-founder of Visual Communications—City City offers a vibrant, abstract view of contemporary Los Angeles, where optical print effects and an eclectic soundtrack intertwine to reflect the city’s energy and complexity. Made in collaboration with motion graphics artist Donna Deitch (who would later direct the landmark Desert Hearts), the film is a sensory exploration of urban life and the diverse communities that shape it.
SHE IS US: THE STORY OF JUDGE SONGHAI ARMSTEAD is an animated film that chronicles the extraordinary story of social justice warrior Songhai Armstead who was system impacted, faced systemic obstacles, and found purpose in empowering others. After a challenging childhood in foster care, Songhai embarks on a remarkable journey that shows the importance of creating opportunities. The film is a production of The Righteous Conversations Project and Second Nurture, a non-profit organization that mobilizes communities to support foster families and help children thrive. She is Us was directed by Samara Hutman & C. Lily Ericsson and animated by an extraordinary team of young people who know the potential of art and story to shape our world.
Witness the rise and fall of The Warehouse, a rave venue from Plymouth and times gone by now reduced to a derelict shell. We explore its history, its people and the future. An amateur filmmaker-explorer finds the building in an empty derelict state, long after the prosperous life and energy it endured through the 90s. Through a combination of archives and stories of people who lived there, the film explores through the medium of analogue what once was and how even a now silent derelict shell can become the centre of the universe.
From the Los Angeles Times and Pulitzer Prize-finalist Rosanna Xia, OUT OF PLAIN SIGHT is a cinematic exposé of an environmental disaster lurking just off the coast of Southern California. Not far from Catalina Island, aboard one of the most-advanced research ships in the world, David Valentine discovered a corroded barrel on the seafloor that gave him chills. The full environmental horror sharpens into greater clarity once he calls Xia, who pieces together a shocking revelation: In the years after World War II, as many as half a million barrels of toxic waste had been quietly dumped into the ocean – and the consequences continue to haunt the world today.
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.
