Mark Robman
Cast
Animated short film. Preserved by the Academy Film Archive in 2009.
Cast
Cast

"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.

"I relocated to the Redwoods of Sonoma County upon graduation and in that relocation process the animation for Sonoma began. The design was built around the concept of the long wide horizontal 'pan' shot to express the concept of a dynamic landscape that passes across the screen like a traditional Chinese Scroll Painting. The deep personal meaning relates to the 'relocation' that was occurring within my own being after having done 2½ terms of active combat in the jungle as a carrier enlisted with the 82nd Airborne Division of the Army" -D. Pies. Preserved by the Academy Film Archive in 2012.

Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.

The animation, music, and optical printing of Kitsch in Synch was produced by Beckett and the students in two classes he was teaching at CalArts. Although a group project, it is clear that Beckett was the director. The playful, catchy soundtrack is used to create a cycle of building tension and release. The brightly colored shapes create approximate symmetrical formations and become more densely layered, with glimpses of iconographic objects and even live footage near the end. Preserved by the Academy Film Archive, in partnership with the iotaCenter, in 2007.