The Gigolo

The Haunted World of El Superbeasto is an animated comedy that also combines elements of a horror and thriller film. It is based upon the comic book series created by Rob Zombie that follows the character of El Superbeasto and his sexy sidekick sister, Suzi-X, voiced by Sheri Moon, as they confront an evil villain by the name of Dr. Satan.

The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!

A short film about a guy who is the odd one out in a topsy turvy world.

Alex, a young woman bored with modern life, is lured by Bacchus into a colorful and mysterious world to explore her deepest desires.

The target of hitgirl Mikura is a wealthy baseball team owner, but he turns out to be a powerful underworld boss. Mikura and her team are beset by countless heavily armed bodyguards and the boss' vicious daughter.

Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Jujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the Choujin (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amano, along with his sister Megumi and their sidekick Kuroko, must protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.

In this sequel to Urotsukidoji: Legend of the Overfiend, the unbelievable violence of the Overfiend and his cohorts from Hell continues to wreak havoc on the earth. Who can stop this relentless onslaught?

It is the age of the Overfiend, and flesh-hungry monsters rule the Earth. Immortal half-demon Amano Jyaku travels the wasteland, witness to the rape and torture of the human race. The last hope for humanity is the demonic Lord of Chaos, the Overfiend's natural enemy. Will the world survive their final battle?

Overconfident 23-year-old Ryouhei somehow lucks into a job at the lucrative skin mag Potato Boy, with his only qualification being an abnormally high sex drive. Immediately smitten with the publication's prestigious editor Yuki (and just about every other female colleague), Ryouhei shows a libidinous instinct that could take Potato Boy to the next level — if he can ever take the job seriously.

One day, nineteen-year-old university student Yuji gets dumped by his girlfriend Keiko for no apparent reason. Sad and baffled by this sudden development, he opens a newspaper and sees an advertisement of an agency called Evening saying they hire hosts to work with female customers. Yuji calls them and soon begins working as a gigolo. In this new job he faces some unexpected trouble at first; however, his kind and honest attitude eventually wins the hearts of his clients.

The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.

A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.