Gun Gospel

Tex Sherwood has just come into possession of a valuable piece of land that will be irrigated by a new dam. Banker Holman knowing the deed must be registered the next day, offers a $50,000 reward for Tex's capture.

Deputy Marshal Jerry Steele (Ken Maynard) heads off to Oklahoma where a gang of nasty cattle rustlers is terrorizing the local ranchers. After a bit of detective work -- greatly aided by a motley group of would-be outlaws deputized for the occasion -- Steele unmasks a supposedly upstanding citizen Bob Crew (Tom Santschi) as the leader of the rustlers.

Lone wolf, who is stirring up the Indians against the wishes of his elders, gets the job of scout at the fort. When he hears of the approval of the new reservation, he sends his men to trap Scott and his troop before they can deliver the information.

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.

A train-station telegraphist warns the next station of approaching bandits.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

Real life outlaw Al Jennings tells a "real" story about how he came to the aid of a woman who was abused by her alcoholic husband.

A young woman takes over her sick father's role as telegraph operator at a railway station, and has to deal with a team intent on train robbery.