
Caperucita Roja

El Lobo Feroz

Abuelita

El Zorillo (Voice)

El Zorillo

Maria / Madre del Pecoso
Patriarca

Mamá de Caperucita
Pecoso
Pedro / Leñador

Leñador

Aldeano

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.
Anyone who claims that you can't live with half a heart should be invited to a fairy tale about a king who once gained a crown in exchange for half his own heart. He gained a crown for part of his heart, but he lost much more – himself, his wife and his child. The prince must undergo difficult trials and fight a witch to save King Oskar and the kingdom...

Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya: where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.