The Hell Cat

The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

Jubilo, a hobo, witnesses a robbery, finds work on Judge Hardy’s farm, and foils the vengeful machinations of a sinister villain.

Cowboy Billy Fortune is in love with Hope Beecher, who prefers Billy's friend Ben Morgan, but resists his advances because of his fondness for drink. Hope's discontent is echoed by the town wives' public outcry against drink. To divert their interest, Billy is nominated to make love to their leader, widow Fay Bittinger, who has already disposed of four husbands....

Alec Lloyd, the foreman of the Sewell ranch, is nicknamed "Cupid" because of his propensity for matchmaking. When Macie Sewell returns from boarding school, Cupid himself falls victim to love, but Macie has aspirations to go to New York and become an opera singer, and so ignores his advances. However, Leroy Simpson, a poor doctor who is enamored of Macie's father's money, encourages her ambitions....

Ort Hutchins is a confirmed loafer who spends all of his time fishing while his wife toils over the washtub. One day, while digging for worms, Hutch uncovers a box containing $100,000 in bills, the loot of a bank robbed in the next town. Realizing that he cannot spend the money without arousing suspicion, Hutch resigns himself to taking a job for cover. ...

After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

An outlaw calling himself Passin' Through halts his "evil" ways long enough to help out some children in difficulty.

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

A saloon owner loans her lover the money to buy a house, which he has led her to believe they will live in after they're married. Instead, he takes the money and buys a saloon in another town.

During the raid on an emigrant train the girl and her brother, the only survivors, are attacked by the villain who kidnaps the girl and takes her to the camp of Calamity Anne, who takes a liking to the girl and becomes her guardian angel. The girl's brother is killed and a ranger takes the locket containing the girl's picture from his neck and recognizes the girl in Calamity Anne's camp. Later, Calamity Anne holds the villain and his band at bay and the girl and the ranger make their escape. The girl and the ranger come to the spot where the girl's brother is buried and here she asks the ranger if he is going to leave her there alone. His answer is to take her into his arms.

In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.